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☆ Opinion: ‘Civil War’ is more than a reflection on America’s divisions
▼ + stars: | 2024-04-13 | by ( Opinion Noah Berlatsky | ) edition.cnn.com time to read: +7 min

Noah Berlatsky Noah BerlatskyAlex Garland’s “Civil War” has mostly been discussed as a reflection of, and a warning about, America’s current partisan divisions. Unlike the actual US Civil War, this one doesn’t seem to have any particular racial or racist connotations. But it’s the same kind of cop out that powers most of Hollywood’s most iconic Vietnam war movies. Hollywood Vietnam war movies generally aren’t about whether America did the right thing, nor are they about how America’s choices affected people in Vietnam. Stanley Kubrick's "Full Metal Jacket" (1987), starring Matthew Modine as Joker, is based on the events of the Vietnam war.

Persons: Noah Berlatsky, CNN —, Viet Thanh Nguyen, Noah Berlatsky Noah Berlatsky Alex Garland’s “, ”, he’s, Garland, Nick Offerman, Lee, Kirsten Dunst, Joel, Wagner Moura, Jessie, Cailee, Sammy, Stephen McKinley Henderson, Lee Wagner, Trump, Libya’s Muammar Gaddafi, Jesse Plemons, that’s, Francis Ford Coppola’s, Stanley Kubrick’s, don’t, —, Dawn ”, Stanley Kubrick's, Matthew Modine, It’s, transfixed Organizations: CNN, Union, Hollywood, America, Central, Warner Bros Locations: Chicago, Vietnam, Viet, American, Washington, California, Texas, Hollywood Vietnam, American Vietnam, Hollywood

As in “Women Talking,” the creators of “Alice, Darling” step away from pulp tropes in order to step away from patriarchal violence — and patriarchal control. The creators of “Alice, Darling” step away from pulp tropes in order to step away from patriarchal violence — and patriarchal control. But in “Alice, Darling” Sophie and Tess are a resource rather than cannon fodder. Much of “Alice, Darling” is made up of small, telling moments — Alice refusing to sing along as Sophie plays guitar, Tess putting her hand on Sophie’s heart. By nodding to stalker/slasher films while refusing to be a stalker/slasher film, “Alice, Darling” may irritate or confuse some viewers.

Through the end of business hours on Friday, GOP Rep. Kevin McCarthy had lost 13 straight votes for speaker of the House. Vote after vote, hour after hour, the Democratic minority cast its ballots for the conference's leader, Rep. Hakeem Jeffries of New York. And as a result, Jeffries won vote after vote for speaker, though McCarthy finally pulled ahead on Friday. Democrats can vote as a block from now till this Congress is over, but they simply didn't have the numbers to elect Jeffries as speaker. With every vote in the House this week, they’ve shown that criticism to be overstated.

“Your story will be different than ours.” Those are the final words of Sarah Polley’s film “Women Talking” and they succinctly sum up the film’s challenges, as well as its hopes. “Women Talking” starts after the otherworldly pretense has already exploded. Instead, most of “Women Talking” is, like the title says, women talking. Instead, most of “Women Talking” is, like the title says, women talking. “Women Talking” insists, though, that it’s worth doing.

At 190 minutes, the running time of “Avatar: The Way of Water” is longer. Jake and Neytiri have had numerous children and adopted Kiri (Sigourney Weaver), the daughter of a human scientist’s avatar body. Rather than invaders exploring the land they’ve invaded, the second “Avatar” film is about the encounter of two different indigenous societies. But the human colonizers —preparing to strip-mine Pandora for its minerals and its biological resources (including space whale essence) — are the aliens. Rather than invaders exploring the land they’ve invaded, the second “Avatar” film is about the encounter between two different indigenous societies.

In 2019, Martin Scorsese said that Marvel movies were “not cinema” and worried cinema was being “invaded” by them. As it happens, I’m not a fan of Marvel films either. For almost the entire history of movies, women haven’t had access to the capital required to make them. There were at least 15 women directors in the commercial film industry during that time. That’s dismal but more than twice as high as the number of female film directors of the same era.

On the contrary, he’s fired Twitter employees who publicly disagreed with him about engineering issues at the company. Musk originally claimed he bought Twitter because he wanted to encourage more free speech on the platform. But no one should be surprised that “free speech” for Musk really means free speech for the powerful. But that doesn’t make him an avatar of free speech. But like other bosses, he’s got a genius for manufacturing unfreedom.

But a shorter and more satisfying narrative would not have been as true to the material, or to Remarque’s pacifism. This "All Quiet on the Western Front” doesn’t have a real plot, per se. For most of the movie, viewers and soldiers alike know that peace is coming at any moment. War is a kind of anti-narrative, which causes a rupture in the satisfying progress of the plot. “All Quiet on the Western Front” is an antiwar movie that refuses to turn war into a tale of progress or success.

Centering on Julia Roberts and George Clooney, two great, aging stars of rom-coms past, “Ticket to Paradise” was always going to be a throwback. Clooney and Roberts play David and Georgia Cotton, a long-divorced couple. The divorced couple who reconcile is an old rom-com trope. Even young gorgeous individuals in a tropical paradise aren’t as effortlessly, gracefully charming as George Clooney and Julia Roberts batting putdowns back and forth. That’s ultimately also the biggest similarity between the two generations of rom-com love.

Olivia Wilde’s “Don’t Worry, Darling” is — on its immaculately, obsessively polished surface — a film about the danger of dreams. Even if you have somehow avoided all publicity for the film, the pop culture reference points should already be clear. Pugh conveys blissful serenity and anguished confusion with equal conviction; her deftness justifies Wilde’s poetic anti-narrative, and vice versa. The real world feels like ghostly and desaturated reflection. “Don’t Worry, Darling” is a movie that airily warns you to watch out for illusions even as it revels in a film’s power to create a world deliberately untethered from reality.

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